156 bars of 3/4 -- not four -- at 111 BPM, 4:55 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-18, 31-36 and 145-150 -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 34 times: bars 45, 46, 47, 62, 63, 64 and 28 more.
3 more fills are written out on the fills page.
156 bars across 15 sections: 93 keep time, 34 are fills and 20 are silent. The longest unbroken stretch of time is bars 1-18.
111 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
156 bars, about 4:55 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 34 times: bars 45, 46, 47, 62, 63, 64 and 28 more.