113 bars of 4/4 at 128 BPM, about 3:32 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 16 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 39 times: bars 8, 12, 16, 17, 18, 19 and 33 more.
14 more fills are written out on the fills page.
113 bars across 7 sections: 57 keep time, 39 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 50-56.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
113 bars, about 3:32 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 39 times: bars 8, 12, 16, 17, 18, 19 and 33 more.