168 bars of 4/4 at 120 BPM, about 5:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33, 102 and 121-122, and 5 more places -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 60 times: bars 6, 7, 8, 9, 10, 13 and 54 more.
19 more fills are written out on the fills page.
168 bars across 24 sections: 56 keep time, 60 are fills, 21 are stops and 18 are silent. The longest unbroken stretch of time is bars 56-59.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 14 out of 100; the rest of the number is everything around it.
168 bars, about 5:36 at the written tempo. The course breaks it into 64 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 60 times: bars 6, 7, 8, 9, 10, 13 and 54 more.