55 bars of 4/4 at a walking 80 BPM, 2:45 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 1 more place -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 32, 37, 38, 39, 40, 44 and 2 more.
55 bars across 6 sections: 38 keep time, 8 are fills and 4 are silent. The longest unbroken stretch of time is bars 14-27.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
55 bars, about 2:45 at the written tempo. The course breaks it into 21 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 8 times: bars 32, 37, 38, 39, 40, 44 and 2 more.