110 bars of 4/4 at a walking 76 BPM, 5:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 83-93, 95-101 and 103-109 -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 15 times: bars 4, 8, 16, 28, 36, 40 and 9 more.
7 more fills are written out on the fills page.
110 bars across 12 sections: 78 keep time, 15 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 83-93.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
110 bars, about 5:47 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 4, 8, 16, 28, 36, 40 and 9 more.