165 bars of 4/4 at 145 BPM, about 4:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 80-86, 88-90 and 92-94, and 2 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 12 times: bars 43, 51, 63, 71, 75, 79 and 6 more.
8 more fills are written out on the fills page.
165 bars across 21 sections: 109 keep time, 12 are fills, 10 are stops and 23 are silent. The longest unbroken stretch of time is bars 81-95.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
165 bars, about 4:33 at the written tempo. The course breaks it into 51 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 12 times: bars 43, 51, 63, 71, 75, 79 and 6 more.