97 bars of 4/4 at 135 BPM, about 2:52 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 20 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 24, 32, 55, 56, 64, 90 and 2 more.
2 more fills are written out on the fills page.
97 bars across 11 sections: 48 keep time, 8 are fills, 14 are stops and 16 are silent. The longest unbroken stretch of time is bars 34-44.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
97 bars, about 2:52 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 24, 32, 55, 56, 64, 90 and 2 more.