157 bars of 4/4 at 136 BPM, about 4:37 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-47, 73-79 and 81-88, and 3 more places -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 30 times: bars 10, 12, 14, 16, 23, 24 and 24 more.
11 more fills are written out on the fills page.
157 bars across 17 sections: 90 keep time, 30 are fills, 4 are stops and 14 are silent. The longest unbroken stretch of time is bars 34-47.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
157 bars, about 4:37 at the written tempo. The course breaks it into 61 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 30 times: bars 10, 12, 14, 16, 23, 24 and 24 more.