337 bars of 4/4 at 120 BPM, about 10:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-67 and 69-75 -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 46 times: bars 11, 12, 15, 16, 19, 20 and 40 more.
17 more fills are written out on the fills page.
377 bars across 42 sections: 223 keep time, 46 are fills, 25 are stops and 43 are silent. The longest unbroken stretch of time is bars 46-67.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
337 bars, about 10:34 at the written tempo. The course breaks it into 107 exercises over 27 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 46 times: bars 11, 12, 15, 16, 19, 20 and 40 more.