84 bars of 4/4 at 148 BPM, about 2:17 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-8, 10 and 12 -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 30 times: bars 4, 5, 6, 8, 9, 11 and 24 more.
13 more fills are written out on the fills page.
84 bars across 12 sections: 36 keep time, 30 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 45-48.
148 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
84 bars, about 2:17 at the written tempo. The course breaks it into 53 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 30 times: bars 4, 5, 6, 8, 9, 11 and 24 more.