120 bars of 4/4 at 135 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 37-42, 61-66 and 73, and 1 more place -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 32 times: bars 4, 7, 8, 12, 16, 20 and 26 more.
18 more fills are written out on the fills page.
120 bars across 18 sections: 59 keep time, 32 are fills and 10 are stops. The longest unbroken stretch of time is bars 38-43.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
120 bars, about 3:33 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 32 times: bars 4, 7, 8, 12, 16, 20 and 26 more.