91 bars of 4/4 at a walking 102 BPM, 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 3-14, ride through bars 15-30, hi-hat through bars 31-46, ride through bars 47-86 and hi-hat through bars 87-91.
The beat the song is built on is one bar, played through bars 23-30, 55-62 and 67, and 1 more place -- 32.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
24
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |g---g---g---g---|
BD |x-x-x-x-x-x-x-x-|5 fills to learn, played 14 times: bars 7, 8, 11, 12, 38, 39 and 8 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
91 bars, about 3:34 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 7, 8, 11, 12, 38, 39 and 8 more.