91 bars of 4/4 at a walking 102 BPM, 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-30, 55-62 and 67, and 1 more place -- 32.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 14 times: bars 7, 8, 11, 12, 38, 39 and 8 more.
1 more fill is written out on the fills page.
91 bars across 10 sections: 67 keep time, 14 are fills and 2 are silent. The longest unbroken stretch of time is bars 71-82.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
91 bars, about 3:34 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 7, 8, 11, 12, 38, 39 and 8 more.