238 bars of 6/4 -- not four -- at 135 BPM, 9:49 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 112-141 -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 54 times: bars 7, 10, 11, 13, 14, 15 and 48 more.
12 more fills are written out on the fills page.
238 bars across 12 sections: 96 keep time, 54 are fills, 4 are stops and 72 are silent. The longest unbroken stretch of time is bars 113-141.
135 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
238 bars, about 9:49 at the written tempo. The course breaks it into 52 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 54 times: bars 7, 10, 11, 13, 14, 15 and 48 more.