176 bars of 4/4 at a walking 77 BPM, 10:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 85-90, 99-106 and 109-110, and 4 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 11, 14, 15, 19, 20, 23 and 11 more.
3 more fills are written out on the fills page.
176 bars across 15 sections: 86 keep time, 17 are fills, 24 are stops and 37 are silent. The longest unbroken stretch of time is bars 138-152.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
176 bars, about 10:24 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 11, 14, 15, 19, 20, 23 and 11 more.