270 bars of 4/4 at 120 BPM, about 9:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 116-118, 120-122 and 170-172, and 4 more places -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 48 times: bars 19, 31, 33, 53, 55, 57 and 42 more.
23 more fills are written out on the fills page.
270 bars across 23 sections: 181 keep time, 48 are fills and 7 are silent. The longest unbroken stretch of time is bars 80-94.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
270 bars, about 9:00 at the written tempo. The course breaks it into 111 exercises over 44 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 48 times: bars 19, 31, 33, 53, 55, 57 and 42 more.