161 bars of 4/4 at 128 BPM, about 4:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14 and 34-36 -- 2.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 96 times: bars 6, 7, 8, 9, 28, 29 and 90 more.
3 more fills are written out on the fills page.
161 bars across 6 sections: 54 keep time, 96 are fills and 1 is a stop. The longest unbroken stretch of time is bars 89-107.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 59 out of 100; the rest of the number is everything around it.
161 bars, about 4:58 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 96 times: bars 6, 7, 8, 9, 28, 29 and 90 more.