145 bars of 4/4 at 130 BPM, about 4:24 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 97-102 and 131-137 -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 42 times: bars 4, 6, 8, 10, 12, 16 and 36 more.
14 more fills are written out on the fills page.
145 bars across 20 sections: 72 keep time, 42 are fills, 6 are stops and 15 are silent. The longest unbroken stretch of time is bars 130-137.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
145 bars, about 4:24 at the written tempo. The course breaks it into 60 exercises over 16 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 42 times: bars 4, 6, 8, 10, 12, 16 and 36 more.