The beat the song is built on is one bar, played through bars 13-27, 29-31 and 33-35, and 3 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on the kick, counted in sixteenth notes. On its own it scores 0 out of 100 -- straightforward -- and the thing that decides that is how fine the subdivision is.
The whole song is 55 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 96 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 96, 112 and 128 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on kick, in 4/4 at 128 BPM, counted in sixteenth notes. It is written out above, and it covers 18.5% of the bars the kit plays.
Bars 13-27, 29-31, 33-35 and 81, and 2 more places. The time is kept on the silence to start with, and it changes 7 times over the song.
0 out of 100 on its own -- straightforward. The song as a whole is 55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.