95 bars of 4/4 at 115 BPM, about 3:17 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 15 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 16, 20, 24, 32, 34, 44 and 10 more.
5 more fills are written out on the fills page.
95 bars across 15 sections: 50 keep time, 16 are fills, 2 are stops and 13 are silent. The longest unbroken stretch of time is bars 89-95.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
95 bars, about 3:17 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 16, 20, 24, 32, 34, 44 and 10 more.