69 bars of 6/4 -- not four -- at 114 BPM, 3:38 of playing on crash, ride, hi-hat, snare, high tom and kick.
The beat the song is built on is one bar, played through bars 4-6, 12-14 and 28-30 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 9, 17, 18, 19, 33, 35 and 2 more.
1 more fill is written out on the fills page.
69 bars across 7 sections: 32 keep time, 8 are fills and 24 are silent. The longest unbroken stretch of time is bars 2-8.
114 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
69 bars, about 3:38 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 9, 17, 18, 19, 33, 35 and 2 more.