117 bars of 4/4 at 140 BPM, about 3:21 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 28 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 13 times: bars 22, 38, 62, 63, 64, 69 and 7 more.
5 more fills are written out on the fills page.
117 bars across 10 sections: 59 keep time, 13 are fills, 30 are stops and 4 are silent. The longest unbroken stretch of time is bars 8-21.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
117 bars, about 3:21 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 22, 38, 62, 63, 64, 69 and 7 more.