202 bars of 3/4 -- not four -- at 141 BPM, 4:18 of playing on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-15, 18-23 and 26-31, and 10 more places -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 9 times: bars 41, 97, 121, 129, 137, 171 and 3 more.
202 bars across 7 sections: 72 keep time, 9 are fills, 109 are stops and 7 are silent. The longest unbroken stretch of time is bars 9-15.
141 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
202 bars, about 4:18 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 41, 97, 121, 129, 137, 171 and 3 more.