202 bars of 3/4 -- not four -- at 141 BPM, 4:18 of playing on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, hi-hat through bars 8-168, snare through bars 169-176 and hi-hat through bars 177-202.
The beat the song is built on is a 2-bar phrase, played through bars 10-15, 18-23 and 26-31, and 10 more places -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 11
1e+a2e+a3e+a 1e+a2e+a3e+a
HH |x---x---x---|x---x---x---|
SD |------------|x---------g-|
BD |x---------x-|------------|
HF |x-----------|------------|4 fills to learn, played 9 times: bars 41, 97, 121, 129, 137, 171 and 3 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
141 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
202 bars, about 4:18 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 41, 97, 121, 129, 137, 171 and 3 more.