118 bars of 4/4 at 120 BPM, about 3:56 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-19, 26 and 65-71, and 6 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 27, 28, 44, 60, 83, 84 and 2 more.
118 bars across 7 sections: 83 keep time, 8 are fills, 15 are stops and 4 are silent. The longest unbroken stretch of time is bars 65-82.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
118 bars, about 3:56 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 27, 28, 44, 60, 83, 84 and 2 more.