125 bars of 4/4 at 116 BPM, about 4:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 14 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 32 times: bars 8, 24, 31, 32, 43, 44 and 26 more.
8 more fills are written out on the fills page.
125 bars across 9 sections: 70 keep time, 32 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 14-23.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
125 bars, about 4:19 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 32 times: bars 8, 24, 31, 32, 43, 44 and 26 more.