130 bars of 4/4 at a walking 90 BPM, 5:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-17 and 34-48 -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 6, 7, 8, 9, 25, 29 and 20 more.
6 more fills are written out on the fills page.
130 bars across 11 sections: 87 keep time, 26 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 35-48.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
130 bars, about 5:45 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 6, 7, 8, 9, 25, 29 and 20 more.