69 bars of 6/4 -- not four -- at 120 BPM, 3:24 of playing on crash, ride, hi-hat, snare, high tom and kick.
The beat the song is built on is one bar, played through bars 16-23 and 43-47 -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 7 times: bars 12, 13, 24, 25, 26, 28 and 1 more.
69 bars across 7 sections: 35 keep time, 7 are fills, 1 is a stop and 22 are silent. The longest unbroken stretch of time is bars 14-23.
120 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
69 bars, about 3:24 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 12, 13, 24, 25, 26, 28 and 1 more.