115 bars of 4/4 at 145 BPM, about 3:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-15, 17-19 and 21-22, and 3 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 6, 8, 32, 36, 39, 40 and 13 more.
4 more fills are written out on the fills page.
115 bars across 8 sections: 62 keep time, 19 are fills, 20 are stops and 5 are silent. The longest unbroken stretch of time is bars 44-57.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
115 bars, about 3:10 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 6, 8, 32, 36, 39, 40 and 13 more.