85 bars of 4/4 at a walking 77 BPM, 4:22 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 13-15, and 6 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 22, 40, 44, 56, 60, 64 and 4 more.
1 more fill is written out on the fills page.
85 bars across 9 sections: 57 keep time, 10 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-17.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
85 bars, about 4:22 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 22, 40, 44, 56, 60, 64 and 4 more.