87 bars of 4/4 at 120 BPM, about 2:54 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 16 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 6, 7, 8, 30, 32, 36 and 6 more.
2 more fills are written out on the fills page.
87 bars across 7 sections: 64 keep time, 12 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 9-25.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
87 bars, about 2:54 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 6, 7, 8, 30, 32, 36 and 6 more.