25 bars of 4/4 at 130 BPM, about 0:45 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7-9 and 11-13 -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 16, 18, 22 and 24.
25 bars across 3 sections: 18 keep time, 4 are fills and 1 is a stop. The longest unbroken stretch of time is bars 8-15.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
25 bars, about 0:45 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 25 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 16, 18, 22 and 24.