329 bars of 4/4 at 120 BPM, about 10:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 40, 42 and 44, and 27 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 45 times: bars 5, 8, 9, 17, 20, 21 and 39 more.
19 more fills are written out on the fills page.
329 bars across 26 sections: 167 keep time, 45 are fills, 93 are stops and 5 are silent. The longest unbroken stretch of time is bars 169-187.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
329 bars, about 10:07 at the written tempo. The course breaks it into 97 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 45 times: bars 5, 8, 9, 17, 20, 21 and 39 more.