417 bars of 4/4 at 115 BPM, about 14:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 125-127, 129-131 and 133-135, and 13 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 71 times: bars 5, 7, 44, 68, 74, 75 and 65 more.
26 more fills are written out on the fills page.
417 bars across 36 sections: 250 keep time, 74 are fills, 42 are stops and 13 are silent. The longest unbroken stretch of time is bars 17-43.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
417 bars, about 14:28 at the written tempo. The course breaks it into 113 exercises over 28 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 71 times: bars 5, 7, 44, 68, 74, 75 and 65 more.