61 bars of 4/4 at 116 BPM, about 2:06 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 6-11, 18-20 and 43-44, and 1 more place -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 2, 3, 4, 25, 26, 39 and 3 more.
1 more fill is written out on the fills page.
61 bars across 7 sections: 40 keep time, 9 are fills and 1 is a stop. The longest unbroken stretch of time is bars 51-61.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
61 bars, about 2:06 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 9 times: bars 2, 3, 4, 25, 26, 39 and 3 more.