109 bars of 4/4 at 140 BPM, about 3:07 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23 and 25, and 9 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 22 times: bars 22, 24, 36, 37, 38, 39 and 16 more.
3 more fills are written out on the fills page.
109 bars across 15 sections: 49 keep time, 22 are fills, 3 are stops and 26 are silent. The longest unbroken stretch of time is bars 9-16.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
109 bars, about 3:07 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 22, 24, 36, 37, 38, 39 and 16 more.