61 bars of 4/4 at 120 BPM, about 1:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 45, 47-48 and 53-56, and 1 more place -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 23 times: bars 2, 3, 4, 5, 6, 7 and 17 more.
3 more fills are written out on the fills page.
61 bars across 8 sections: 19 keep time, 23 are fills, 9 are stops and 7 are silent. The longest unbroken stretch of time is bars 52-59.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 37 out of 100; the rest of the number is everything around it.
61 bars, about 1:53 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 2, 3, 4, 5, 6, 7 and 17 more.