91 bars of 4/4 at 120 BPM, about 3:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-20, 31-39 and 72-79 -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 2 times: bars 89 and 90.
91 bars across 10 sections: 72 keep time, 2 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 51-67.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
91 bars, about 3:02 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 89 and 90.