201 bars of 4/4 at 140 BPM, about 6:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 96, 98 and 100, and 2 more places -- 3.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 98 times: bars 15, 16, 17, 18, 19, 20 and 92 more.
15 more fills are written out on the fills page.
201 bars across 12 sections: 23 keep time, 98 are fills, 18 are stops and 54 are silent. The longest unbroken stretch of time is bars 185-188.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
201 bars, about 6:08 at the written tempo. The course breaks it into 45 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 98 times: bars 15, 16, 17, 18, 19, 20 and 92 more.