117 bars of 4/4 at 124 BPM, about 3:46 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-27, 29-31 and 33-35, and 7 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 24, 32, 56, 60, 64, 70 and 8 more.
3 more fills are written out on the fills page.
117 bars across 14 sections: 80 keep time, 14 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 42-55.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
117 bars, about 3:46 at the written tempo. The course breaks it into 40 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 24, 32, 56, 60, 64, 70 and 8 more.