162 bars of 4/4 at 135 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-10, ride through bars 11-14, hi-hat through bars 15-22, toms through bars 23-27 and hi-hat through bars 28-31, and 18 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 76-78, 80-82 and 84-86, and 5 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
76 77
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|--------x-x-x-x-|
RD |--x-x-x-x-x-x-x-|x-x-x-x---------|
SD |x---x---x---x---|x---x---x-x-x-x-|
BD |--x--x-x--x--x-x|--x--x-x--------|15 fills to learn, played 73 times: bars 4, 5, 6, 7, 8, 9 and 67 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
162 bars, about 4:49 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 73 times: bars 4, 5, 6, 7, 8, 9 and 67 more.