162 bars of 4/4 at 135 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 76-78, 80-82 and 84-86, and 5 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 73 times: bars 4, 5, 6, 7, 8, 9 and 67 more.
12 more fills are written out on the fills page.
162 bars across 15 sections: 66 keep time, 73 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 80-88.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
162 bars, about 4:49 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 73 times: bars 4, 5, 6, 7, 8, 9 and 67 more.