461 bars of 4/4 at 140 BPM, about 12:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 13-16, 19-20 and 23-24, and 9 more places -- 5.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37 fills to learn, played 99 times: bars 31, 32, 36, 37, 39, 45 and 93 more.
34 more fills are written out on the fills page.
461 bars across 43 sections: 240 keep time, 99 are fills, 45 are stops and 31 are silent. The longest unbroken stretch of time is bars 11-30.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
461 bars, about 12:54 at the written tempo. The course breaks it into 179 exercises over 64 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
37 fills to learn, played 99 times: bars 31, 32, 36, 37, 39, 45 and 93 more.