75 bars of 4/4 at 120 BPM, about 2:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-23, 37-39 and 42-45 -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 24, 25, 34 and 40.
75 bars across 9 sections: 31 keep time, 4 are fills, 10 are stops and 25 are silent. The longest unbroken stretch of time is bars 18-23.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
27 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
75 bars, about 2:30 at the written tempo. The course breaks it into 22 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 24, 25, 34 and 40.