119 bars of 4/4 at 115 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-8, 29-32 and 65-68, and 5 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 24 times: bars 1, 5, 9, 17, 24, 33 and 18 more.
12 more fills are written out on the fills page.
119 bars across 15 sections: 72 keep time, 24 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 111-118.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
119 bars, about 4:08 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 24 times: bars 1, 5, 9, 17, 24, 33 and 18 more.