119 bars of 4/4 at a walking 98 BPM, 4:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-28, ride through bars 29-32, hi-hat through bars 33-52, ride through bars 53-60 and hi-hat through bars 61-77, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 14-19, 22-27 and 38-43, and 3 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 15
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-o-x-x-x-x-x-x-|
SD |----x-------x---|----x-------x---|
BD |x-------x----x-x|-xx-----x-------|
HF |----------------|----x-----------|11 fills to learn, played 27 times: bars 10, 12, 28, 32, 36, 51 and 21 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
119 bars, about 4:51 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 27 times: bars 10, 12, 28, 32, 36, 51 and 21 more.