119 bars of 4/4 at a walking 98 BPM, 4:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 14-19, 22-27 and 38-43, and 3 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 27 times: bars 10, 12, 28, 32, 36, 51 and 21 more.
7 more fills are written out on the fills page.
119 bars across 11 sections: 70 keep time, 27 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 14-27.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
119 bars, about 4:51 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 27 times: bars 10, 12, 28, 32, 36, 51 and 21 more.