552 bars of 4/4 at a walking 80 BPM, 27:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 101-103, 109-111 and 119-123, and 25 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 144 times: bars 100, 104, 105, 106, 107, 108 and 138 more.
23 more fills are written out on the fills page.
552 bars across 37 sections: 320 keep time, 144 are fills, 21 are stops and 29 are silent. The longest unbroken stretch of time is bars 441-463.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
552 bars, about 27:59 at the written tempo. The course breaks it into 115 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 144 times: bars 100, 104, 105, 106, 107, 108 and 138 more.