BAD RELIGION · DRUM BEAT

The drum beat in Kerosene

The beat the song is built on is one bar, played through bars 20-23, 26-28 and 38-41, and 7 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.

TEMPO
155 BPM
TIME
4/4
BARS
106
LENGTH
2:44
DIFFICULTY
70/100

The beat, written out

LOOP · 155 BPM
KEROSENE · BAR 26

It is played on ride, snare and kick, counted in sixteenth notes. On its own it scores 68 out of 100 -- demanding -- and the thing that decides that is the independence between the hands and the feet.

The whole song is 70 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.

How to get it under your hands

A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 101 BPM -- and adds the notes back over 4 rungs, each with a tempo to reach and a gate to pass before the next.

  1. Skeleton. Only the notes that land on a beat. The point is to feel where this bar stands.
  2. Kick and snare, whole. The feet and the snare exactly as written, ride pulled back to quarter notes. This is the part to know by heart.
  3. As written. Open hi-hat, ghost notes, accents and the crash where they belong.

Tempo goes 101, 119, 137 and 155 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.

PRACTISE THIS BEAT →

Questions

What drum beat does Kerosene use?

A one-bar groove on ride, snare and kick, in 4/4 at 155 BPM, counted in sixteenth notes. It is written out above, and it covers 34.6% of the bars the kit plays.

Where does the beat come in?

Bars 20-23, 26-28, 38-41 and 44-47, and 6 more places. The time is kept on the silence to start with, and it changes 13 times over the song.

Is the beat in Kerosene hard?

68 out of 100 on its own -- demanding. The song as a whole is 70 out of 100: demanding, mostly on the independence between the hands and the feet.

READ OFF THE SCORE ITSELF · 106 BARS ANALYSED