121 bars of 6/4 -- not four -- at 138 BPM, 4:46 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-49, 51-53 and 55-57, and 2 more places -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 19 times: bars 1, 2, 3, 4, 5, 6 and 13 more.
2 more fills are written out on the fills page.
121 bars across 12 sections: 49 keep time, 19 are fills, 6 are stops and 38 are silent. The longest unbroken stretch of time is bars 82-92.
138 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
121 bars, about 4:46 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 19 times: bars 1, 2, 3, 4, 5, 6 and 13 more.